Role: Editor
The Project: A high-stakes pitch film launching the Undefeated Network. Driven by narrative insights from founder James Bond, the piece traces the streetwear giant's evolution—from the humble origins of being "underfoot" to the relentless mandate of being truly undefeated.
The Craft: Delivered on a strict 48-hour turnaround. I was handed a massive raw photo dump and tasked with building the momentum from scratch, bringing static assets to life through custom comic-book flipbook animations and immersive sound design.
Role: Director, DP, & Editor (End-to-End Production)
The Project: A promotional profile for U.A.C.T.P.—Undefeated’s high-performance training facility—spotlighting martial arts legend Chris Haueter, one of the original "Dirty Dozen" (the first 12 American Brazilian Jiu-Jitsu black belts).
The Craft: I led this project through its entire lifecycle, from initial creative ideation to the final edit. While I handled directing, shooting, and cutting, my primary focus was on set leadership—managing a complex production with many logistical moving pieces while maintaining a smooth, highly collaborative, and positive environment for the talent.
Role: Director, DP, & Editor (End-to-End Production)
The Project: A social promo driving momentum for Varsity Jiu-Jitsu’s inaugural Summer Promotion while activating a product-exchange brand partnership with Spindrift. Goal of the Video was to capture happy summer vibe and show that martial arts is for everyone.
The Craft: Executed from initial concept to final export, the piece was designed to transcend standard social content. I cut the footage with a fast-paced, premium commercial reel aesthetic, anchoring the visual identity with a polished color grade that I am particularly proud of.
Role: Editor
The Project: A vlog-style event recap featuring renowned menswear consultant Nick Wooster. He was delivered a speech for FashionSpeak Fridays. I was asked to pick up the project since the original creators dropped out.
The Craft: This project was a masterclass in post-production triage. Working with a massive drive of highly unpredictable, run-and-gun event footage under the pressure of a high-profile client, I had to completely rescue the narrative. By leaning into the vlog aesthetic and utilizing heavy stabilization, color correction, and rhythmic pacing, I salvaged compromised raw material to deliver a cohesive, engaging final cut that hit the client's exact target.